Custom Happy Birthday Age & Name Cake Topper
SKU: 96844258753

Custom Happy Birthday Age & Name Cake Topper

$16.20 $18.00
Save 10%
No.2 Bestseller on www.arcpartners.co.uk >

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USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 7 - Jul 12

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For Your Every Summer RSVP, with Code: SUMMER15

Description

Custom Happy Birthday Age & Name Cake TopperDETAIL Our customised laser engraved Birthday Cake Toppers are made with the name and design of your choice. Beautiful personalised wooden Toppers perfect for every occasion including your upcoming Wedding, Engagement, Birthday, Hens Party, Bridal Shower or any special event that you can think of. The personalised Toppers will add a perfect stand out and gorgeous look on any cake. This cake topper design can be customised to a different birthday age

DETAIL

• Our customised laser engraved Birthday Cake Toppers are made with the name and design of your choice.
• Beautiful personalised wooden Toppers perfect for every occasion including your upcoming Wedding, Engagement, Birthday, Hens Party, Bridal Shower or any special event that you can think of.
• The personalised Toppers will add a perfect stand out and gorgeous look on any cake.
• This cake topper design can be customised to a different birthday age or name.
• Personalised cake topper with bespoke design available. Just message us with your idea or any enquiry.

✔ FAST SHIPPING: Crafted and dispatched from Sydney, Australia. Ready to be shipped from 1-3 days. Local Pick Up Available, please message us !


♡ BRIDAL SHOWERS/ WEDDING/ HENS PARTY/ BIRTHDAY / CHRISTENINGS/ BAPTISM/ PARTIES, SPECIAL EVENTS, FUNCTIONS AND MUCH MORE DESIGN AVAILABLE PER YOUR REQUEST ♡

SPECIFICATIONS

Materials:

- 6mm thick unpainted MDF. Painted Options Available. It is recommend to wrap the prongs in cling wrap before inserting into the cake if you are conscious about keeping the wood/paint from coming into contact with the cake.

or

- 3mm thick Acrylic.

Dimensions:

- The dimensions of the whole cake topper design is approx. 15 cm Wide x 23 cm High (including stem) x 6mm MDF or 3mm Acrylic.
- The cake stem is approx. 9 cm high. Please note these measurements may change slightly with each personalised name.
- Specific dimension available per your request.

Technique: Laser Cut. Personalise any design with any name, date, available template design or custom logo, your own image.

Note:
As part of laser engraving, the MDF edges will be black, this is normal but can be covered with paint.

Our painted options are only on 1 side of the cake topper - both side painting can be done for an extra charge

HOW TO ORDER

1. Select your preferred colour.
2. Type in exact order you want it engraved based on our provided Design Template Options. You can add additional instructions in ( ) brackets. If you want to use your own logo, please attach/ send us your file once you finish . Please note to attach the highest resolution file as possible to avoid quality issues Not all files are scanned prior to manufacturing, if you're not sure, please send us an email after placing the order to confirm if the file is of an acceptable quality.

▸Feel free to contact us with any questions you may have.

DELIVERY TIME

Processing Time:

Upon placing an order, our dedicated team initiates the meticulous process of designing your artwork(s), collecting your item(s), crafting your personalised product(s), and carefully packaging it. The duration of production varies based on the chosen production process and the complexity involved. Please find below estimated turnaround times:

Item Type Processing Time* Rush Order
(25% Surcharge)*
Non-Personalised Items 1-2 business days -
Personalised Items 2-7 business days 1-2 business days
Signs & Hoops 3-10 business days 1-3 business days

 * The provided processing time does not include the duration required for customer artwork approval. Timely responses to artwork confirmation emails are crucial, as any delays in approval will extend the overall processing time.
Rush Order option is available during checkout.

Shipping Time:

We send out your order when all items are ready. The delivery time varies based on your chosen shipping options and location. After shipping, you'll get a confirmation email with a tracking number. If there are no scans in the first 24 hours, don't worry—sometimes the system takes a day or so to catch up.

Our carriers estimate delivery times:

Region/Country Standard Shipping* Express Shipping*
Australia 2-4 business days 1-3 business days
New Zealand 5-8 business days 2-5 business days
United States 6-9 business days 3-6 business days
Canada 6-9 business days 3-6 business days
United Kingdom 6-8 business days 4-6 business days
Europe 6-14+ business days 4-10+ business days
Middle East 6-12+ business days 4-8+ business days
Singapore 5-7 business days 3- 6 business days
Hong Kong 5-9 business days 3-6 business days
Rest of Asia 3-14 business days 1-5 business days 
Rest of the World 6-14+ business days 1-5 business days

* Please be advised that the provided delivery estimates are general approximations, and the actual delivery times may vary based on factors beyond our control. These factors include the load volumes of our shipping partners, deliveries to regional areas, and potential customs delays. While we make every effort to expedite the process, however we cannot accept responsibility for delays resulting from such circumstances.

* Additionally, delivery estimates are subject to change due to various variables.

* Express shipping specifically affects the speed of your order's delivery after we've processed it, relying on the efficiency of the postal service. It does not expedite the internal processing time needed to create your item, which is addressed by our Rush Order service option. Should you wish for a quicker processing time, a 25% fee on the order's value will be applied. This option is conveniently available during checkout.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 96844258753

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4.7 ★★★★★
Based on 1024 reviews
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Product Reviews
D
Verified Purchase
Diana D
Alexandria, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Carnegie, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
San Leandro, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Whiting, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Bozeman, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

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