Federico Del Sordo - Choro et OrganoChoro et Organo by Bernardino Bottazzi (1560 1614) may be considered the most extensive and best known collection of Italian organ works from the early 17th century. In the beautiful edition printed by Giacomo Vincenti, the musical notation used relates to a tradition that is more Renaissance than early baroque: namely, Italian tablature for organ (in this case, with an eight line stave for the left hand and one of five lines for the right). There are

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to mark the start of exploring her own unique sound as a solo artist

made the arrangements

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the text 'My God

Vincent Larderet's performance of Ravel's piano concertos is marked by careful adherence to the original score and respect for the composer's markings

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Enescu's Second Piano Suite enhances the formal language of the Baroque with Romantic and Impressionist timbres

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